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INTERVIEWS
/ NEIL / CHRIS
/ PSB
SOURCE
- West End Boys
['People
used to say we'd only last three years...but we had other plans']
From
their base in a derelict station the Pet Shop Boys tell MIKE JONES
how they're determined to keep their career on track with a new
album and confess that after 14 years at the top they're still searching
for a new musical underground.
EARLY
morning at a disused railway station in central London. Somewhere
inside are two of British pop music's most enduring stars. Quite
where, though, is another matter.
Amid
the faded grandeur of peeling paintwork, rotting plaster and the
memories of a million train journeys, a series of tiny arrows leads
the way up several sweeping staircases.
Yet
it seems like a wild goose chase when the top floor reveals nothing
but wrecked floorboards and a labyrinth of empty rooms,
And
a single closed door.
A turn
of the handle, though, triggers a thumping disco beat and suddenly
a giant video image lights up the back wall.
To
the side, a couple of dogs start howling. Appropriately, really,
considering these two have always seemed a little bit barking.
Welcome
to the mad world of Neil Tennant and Chris Lowe - a.k.a. the Pet
Shop Boys.
"What
else did you expect?" laughs Tennant from around the corner.
Indeed.
"It's
much better here that a hotel, don't you think? There's more of
a vibe."
You
can say that again. The dogs might have stopped but the walls of
St Pancras station are still shaking to the sound of one of their
new tracks.
So
much so that a sign falls off and hits the floor behind them.
"Better
get some more Blu-Tak," says Lowe. Let's hope the dogs are
tethered more securely.
"They're
not real," says Tennant, still looking cool at 45.
"The
noise is recorded so that when you walk through the door the barking
starts."
"Some
people have been quite scared".
You
don't say.
"Actually,
maybe we should have real ones to s**t people up," says Lowe.
As
he finished his sentence the noise behind starts to fade the cranks
up into a rising Village People-style anthem.
This,
the lads inform me, is their new single, New York City Boy. Not
exactly Y.M.C.A. for the new Millennium but probably as close to
it as you're going to get. The track is the follow-up to the succinctly
titled I Don't Know What You Want But I Can't Give It To You Any
More.
It
is the second release from their forthcoming album Nightlife.
This
appears to be not so much of a stab in the dark as a move into the
realm of the concept album.
Not,
they claim, that this is a deliberate move.
"It's
a real mixture of songs," says Tennant, "but all the ones
we recorded more or less seemed to happen at night."
The
theme was prompted by the pair's long-held love affair with dance
music which they virtually brought into the British mainstream single-handedly
with their first No 1 smash West End Girls in 1985.
Their
early success came at a time where the British club scene was hidden
deeper underground than the Northern Line.
Back
then a night out meant a trip to the local disco and Phil Collins
was almost trendy.
All
right, the last bit's a lie, but then the music scene was struggling
to find a new direction for itself until Lowe and Tennant started
to stir things up.
Far
from being one hit wonders, the band have been breaking new ground
ever since. They followed up their debut success with a string of
classic hits such as What Have I Done To Deserve This?, Always On
My Mind and Go West! Fourteen years later, though, and club culture
has become the dominant force.
"We're
permanently searching for a new underground because it doesn't really
exist now," says Lowe, 39. "Something like the Chemical
Brothers would have been underground once but now it's just mainstream."
As
a result both he and Tennant are determined to set the agenda once
again.
And
their next project will see them take a serious change of direction.
"We've
written a musical with the playwright Jonathan Harvey, who did the
film Beautiful Thing," says Tennant. "We wanted to do
something that's not like Phantom of the Opera.
"We
wanted a comtemporary story with comtemporary music which no one's
really done in England for a long time."
In
the meantime, the Boys are preparing their first British tour for
eight years which kicks off in Glasgow in early December.
Not
a bad end to the year for a band who are one of the few survivors
of the Eighties.
"People
used to say we'd only last three years," says Lowe before Tennant
interrupts: "But we had other plans."
And
with that the doors opened, the dogs barked again and they were
gone.
*New
York City Boy is out now. Nightlife was released on October 11 1999.
The Sun
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