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TOUR
/ SCHEDULE / SET
LIST / REVIEWS / PICTURES
/ CREW / MERCHANDISE
21
& 22/05 Hammerstein Ballroom, New York City
THE
ARTS/CULTURAL DESK
POP REVIEW; Putting Lyrics First and Giving a Soft Sell to Love
and Loneliness
By KELEFA SANNEH
The
Hammerstein Ballroom looked ready to give a dance party last Tuesday
night. It had a pounding beat, a blinding light show and a roomful
of people with their hands in the air. Then the Pet Shop Boys showed
up, and soon the beat had been relegated to the background. Neil
Tennant's voice took over as he sang a sad song about life on the
road and lovers separated by ''dark and frantic trans-Atlantic miles.''
The
Pet Shop Boys, a British duo, have made plenty of great dance music
in their career: one of their first full-length releases was a collection
of remixes, and they have used a wide range of club-friendly beats.
But this tour plays down rhythm to emphasize the clever songwriting
of Mr. Tennant and his partner, the keyboardist Chris Lowe. Many
of the arrangements seemed purposely bland, as if to force the audience
to concentrate on melody and lyric.
The
group's new album, ''Release'' (Sanctuary), is a collection of 10
songs about love and loneliness, one of which has already achieved
minor notoriety. To introduce ''The Night I Fell in Love,'' Mr.
Tennant said, ''It's about a young rap fan who goes to see his hero,
and something very surprising happens to him.''
The
hero is Eminem, the rapper who has been accused of homophobia; the
''very surprising'' episode is a romantic encounter. The lyrics
are less elegant than the tune, but the audience cheered as Mr.
Tennant, who is gay, gave Eminem a dose of his own medicine. Near
the end of the song, the fan submits his report card: ''He was passionate
-- I guess I'd rate him a 9 out of 10.''
In
the second half of the concert, the Pet Shop Boys performed some
of their old dance-pop hits. Mr. Tennant rapped his way through
''West End Girls,'' and the audience sang along to ''Go West,''
the Village People song that the Pet Shop Boys rejuvenated in 1993.
Even
at their most crowd-pleasing, however, the Pet Shop Boys embraced
anonymity. Mr. Tennant and Mr. Lowe were silhouettes for most of
the night, illuminated only by lights aimed from the stage into
the audience. Trying to watch them perform was like staring at the
sun.
Maybe
the idea was to make the audience feel like characters in the songs,
coming to grips with the impossibility of intimacy. The show ended
with ''You Choose,'' a placid ballad about unrequited love. In his
thin, gentle voice, Mr. Tennant offered some brutal advice to anyone
wallowing in self-pity: ''Learn the lesson, take the blows/You didn't
fall in love by chance -- you chose.''
Published:
05 - 28 - 2002 , Late Edition - Final , Section E , Column 1 , Page
5
--
STYLE
DESK | May 26, 2002, Sunday
A NIGHT OUT WITH: The Pet Shop Boys; Not an 80's Act (Really)
By
SMITH GALTNEY (NYT) 740 words
Late Edition - Final, Section 9, Page 4, Column 1
LEAD PARAGRAPH - THE show was a smashing success, a near sellout.
Friends were popping in, and a second bottle of Moët had been
uncorked. But backstage at the Hammerstein Ballroom last Tuesday
evening, Neil Tennant and Chris Lowe -- the English duo known as
the Pet Shop Boys -- were not planning a late one.
''We're
doing 'Regis and Kelly' in the morning,'' said Mr. Tennant, the
one with the thin gray hair.
''We've
got to get up at 6,'' said Mr. Lowe, the one in the baseball cap.
Corrections
(from NYTimes.com)
(NYT)
Correction 110 words
Late Edition - Final, Section 9, Page 2, Column 6
LEAD PARAGRAPH - The ''Night Out With'' column on May 26, about
the English pop duo Pet Shop Boys, referred incorrectly to the popularity
rating of its album ''Release.'' The album appeared as No. 73 on
the Billboard 200 on May 11; it did not fail to make the charts.
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